Sách Bảo Khang Logo
Mua sách tại nhà 0969427661
Giỏ hàng 0
THE ART OF CHAMPA
THE ART OF CHAMPA
THE ART OF CHAMPA
THE ART OF CHAMPA
THE ART OF CHAMPA
THE ART OF CHAMPA
THE ART OF CHAMPA
THE ART OF CHAMPA
THE ART OF CHAMPA
THE ART OF CHAMPA
THE ART OF CHAMPA
THE ART OF CHAMPA
THE ART OF CHAMPA
THE ART OF CHAMPA
THE ART OF CHAMPA
THE ART OF CHAMPA
THE ART OF CHAMPA
THE ART OF CHAMPA
THE ART OF CHAMPA
THE ART OF CHAMPA
THE ART OF CHAMPA
THE ART OF CHAMPA
THE ART OF CHAMPA
THE ART OF CHAMPA
THE ART OF CHAMPA
THE ART OF CHAMPA

THE ART OF CHAMPA

Tình trạng: Còn hàng

Mã sản phẩm: TAOC-K5A

Tác giả: Jean-Francois Hubert

Nhà xuất bản: Parkstone

Năm xuất bản: 2005

1.500.000 đ

Số lượng

Giao hàng toàn quốc

Sách gốc

Gọi điện để được tư vấn: 0969427661

Thông tin chi tiết

Tác giả: Jean-Francois Hubert
Nxb: 2005
Khổ: 26 x 30 cm
Sách bìa cứng có áo, mép dưới bị gặm nhẹ một ít như hình chụp, gáy và ruột bên trong đẹp, 179 trang
 
-------
From 12 October 2005 to 9 January 2006, the Musee Guimet in Paris will play host to an exceptional exhibition: 'Treasures of Vietnamese Art... Champa Sculpture'. This show will bring together for the firt time, outstanding pieces from the Musee Guimet, the National Museums of France and the national Vietnamese museums of Da Nang and Ho Chi Minh (formerly Saigon). The discretion of private collectors has meant that, until now, much of the wealth of this great Asian art form has remained relatively unknown but this show also includes several truly exceptional pieces from private collections, hitherto inaccessible to both the public and most curators. Jean-Franois Hubert, an international expert on Vietnamese art, has succeeding in creating a unique artistic opportunity. In the 5th century, the Champa kingdom held sway over a large area of today's Vietnam. Several magnificent structures still testify to their former presence in the Nha Trang region. Cham Sculpture was created from a variety of materials, principally sandstone, but also gold, silver and bronze, and primarily illustrated themes from Indian mythology. The kingdom was gradually eroded during the 15th century by the irresistible descent of the people towards the south ("Nam Tien") from their original base in the Red River region. The author explores, describes and comments on the various styles of Cham sculpure, drawing on in a rich and, as yet largely unpublished, iconographic vein.

Sách cùng danh mục